Charly Garcia Rock Cosquín reached preceded by the idea that their show would not be one in a long relationship that binds to the festival. Certainly did so in newly rehabilitated as provided in the 2010 edition, but it was clear that the expectation generated (both the organizers of the event and those who had witnessed his recent performances) was uploaded to a concert a time machine: Charly again the before, was sustained by the conviction of the convert who has been a miracle. The return to form by the artist formerly known as Say No More was a fact in advance.
The thing is, a show place and a little cold, the predictions were met halfway. Rounding 22.30, in blue jacket and jeans, Charles stood in front of the largest attendance so far this festival to say: "Ok. Obedience and love. Enjoy. " And the band pulled the riff About
revolution while he was officiating as frontman agitator, harangued all his humanity than 59 years allows (which really is a lot) and kicked the microphone stand enough times so that everyone is familiar with the lead that was going to suffer all night . Because the day ended late García, exactly at 3:06 in the morning. Until that time, not only played the 19 subjects entered in the list but added Comfortably numb ,
Mr. Jones, the Argentine National Anthem and when all (beginning with José Palazzo) began to wonder if they planned to stay until dawn on stage, he ordered the March of San Lorenzo.
That ended up being the half-truth of the prediction: hyperactivity of the idol, his joy to be located in the center of the scene and recovered intact, the verbosity of those who know unimpeachable by adorable and the ability to play with grace and limits causing nervous laughter in equal shares. "Black fucking" Garcia Lopez threw before I Mr. Jones, the Argentine National Anthem and when all (beginning with José Palazzo) began to wonder if they planned to stay until dawn on stage, he ordered the March of San Lorenzo.
Rock and roll, "You know what is missing here? Faso smell, caused as a preamble to not touch (later confirmed: "I smelled it, I do not, thanks"), "I wrote this song to compare the love of a woman which is a line of market . Do not ask me what is healthy " was the introduction of Your vice
, "This was made for the bicentennial, the shit is that 30 years ago," that of not cry for me Argentina . And the anecdotes could follow, to the delight of an audience he found what he was looking for: no pearls or reflective moments, no Adela on the carousel or Disarm and bleeds, and everything I'm green
, hotels demolished, I will not train
and Canterville Ghost, who played with Leon Gieco.
and Canterville Ghost, who played with Leon Gieco.
Charly is Charly, and witness his approach to repertoire unbeatable with a band that sounds perfect (although it lacks Rosario Ortega for Hilda), Maradona is like seeing today, in a match Showball: the magic is still intact but necessarily refer to a past that returns only flashes. But again, and that's enough. Follow him 
. 
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