Gallery Charly. Photo by Jose Luis Garcia. "Obedience and love," he exclaims ("claim?) Mr. Charly García, and is the beginning of the end of a night, this, the second of Cosquín Rock, packed with heroes, modern Refucilo and other weird stuff. Say No More was, of course, central number, and your set, as opposed to the Flaco Spinetta (who played on the same stage a few hours before) leaving exposed a truth: the two top figures of the rock in English are, today, at opposite poles. While one reconstructs their health while trying to recover her rock image with a greatest hits live with so many missteps as good intentions, the other sits to review their repertoire dark rock jazz virtuoso plan simply because it is Luis Alberto Spinetta, can and he wants. Charly, we said, was pure hit, propelled by a band that plays in memory (Black García López, your ideal pivot, shoot riffs as if he himself had engendered) and a second female voice (Rosario Ortega, Hilda Lizarazu replacement) still is shy, but hints at potential. "Near the revolution opened a concert that had as main note to Garcia recovering a rare verve that generated lots of smiles and some discomfort (see time). Singing songs with excerpts from his throat still dull, playing the piano less than you would like any music lover, covering the stage with Ozzy style clumsy movements, cutting their pants constantly (which you fall, say, is not the same to download them) and swinging microphones and in their most toxic, SNM does peaks of feeling when it resorts to its untouchable status and emotional memory caresses (impossible not to enjoy, as in "I pray for you", "Do not cry for me Argentina", "Destroying hotels" and so on), but, considering the greatness of the subject of yore, leaves us asking more strictly musical. León Gieco, one that passed through the main stage earlier, does hold in "The Canterville Ghost", the playlist unilaterally extends to the very infinity (at three o'clock in the morning was still strong with the people, with " Seminare "," Popotitos "," Mr. Jones "...) and unorthodox crowd takes home a photo of a spectacle could be huge and was only abundant, that after all is not so little.
As mentioned, Spinetta beyond: sitting next to your drummer for most of his set, showed that not only lives the rock crushing riffs. At least not the rock mountain. Although everyone would have liked to return to Eternal Bands in this and in each of the presentations after the historic Vélez, Skinny focused on the latter part of his discography. His virtuous and long zapadas, orchestral keyboard Fontana Mono, the presence of his daughter Vera to sing a couple of songs including a cover of Hugo Fattoruso "Milonga Blues" were sitting gradually attendees to them it became clear that there would be (and may not be more) "I like the pit" but all that makes the Spinetta Spinetta we know. Still, there were "bleeding Peach" and "Ludmila", there version of "Tea for Three" in honor of Cerati the cry of "Strength, Gustavo!", And even a final rock-blues with "I look your love" and paradoxically, a riff ... devastating.
Adapting prickly guitar classic rock to taste American Argentine Skay make it clear again in the Round, the carve-up of roles was similar to that of the Stones: the singer is was bright and guitarist rocanrolera mysticism. The look influences: Neil Young's "Where are you?" Lou Reed "Astrolabe" Eastern sounds in "The Moon in Fez", etc. And the rolled her, of course, also says this, with milestones of her solo career as "Ode to the nameless" and "The Golem of Paternal" and, obviously, with the few good gift bequeathed us Beilinson ricotero that "A whole bat "," The kid yards (with a wink to that phrasing of the music of Lawrence of Arabia your band is borrowed for "The Beast pop") and a little theme called "Ji ji ji" that some can get sound to you.
Wings (this road movie that records their national tour with musicians with disabilities), but also by "memory" and the allusion to the Mothers and March 24 (followed by "You have to jump, to jump ...", of course) and the conscientious anti-imperialist protest Bolivarian" Five centuries alike. " Leon was dedicated to Evo Morales and Andres Gimenez invited to sing a capella. And from that moment, everything turned to the side, of course, insane to imply that union. León D-Mind, crazy board and overdose of adrenaline that turns every issue Gieco, soil heating did give birth on that later would become the largest pogo Punilla Valley. From "The Canterville Ghost" to "Think of nothing", from "Jimmy's mom" of Porsuigieco.
Meanwhile, as the sun set and the main platform Hardy offered his pristine melodies, Dread Mar I confirmed in the reggae scene meteoric phenomena his capacity to delight fans of anti-Spinetta, who want nothing to do with any abstraction and only asked for music to wiggle a cadence and a syrupy romantic lyrics easy to remember to croon to the landlady, safer place found there. Few Rastafarians, many are allowed rockerazos sing "You without me" because "I hear it is good to fuck" (sic, and any resemblance to what happens with the cumbia no coincidence) and a host of minitas raised their arms are the most extreme lovers rock market and overshadowed the announcement as regards the review Hiter Los Pericos, the Latin medley Fidel, neatness and subtlety and Los Cafres Nonpalidece roots. Ten times
only hits, appeared to be the watchword. September 1 To achieve im-ba-ti-ble, the Moura called three: Carca for "Pagan Pictures", Dani Umpi (dress, wig, red plugs) for "Honeymoon in hand" and songwriter Ana Naón to "Love disposable." Short and effective. 
in the reggae scene, Los Pericos was agreed that May 11 marks the 30th anniversary of the death of Bob Marley and were released with a respectful version of "Iron Lion Zion." We could not miss. Power 
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