track by track analysis of the album The Beat 1 by Charly Garcia for Rolling Stone.
"Che," and that this record came out, now? "He asks, not without cynicism. We have no answers, except the millions of copies sold. "Millions?" Her eyes shine, greedy. "People are still buying the Beatles? Look at you ... "
Charly Garcia and two reporters from Rolling Stone, into a modern CD player Hi Tech exquisitely designedCharly Garcia and two reporters from Rolling Stone, into a modern CD player exquisite Hi Tech design
"Let's see ... Put it next to you who you are.
- Where do you put a disc?-On top, side, there must be a hole, something.
- New? It's nice.
"Yes ... Watch out ... Let's see, lemme see ...do not understand.
"But a while ago ... Over here you have to be ... Oops! She broke the speaker ...
-Pará. I brought my discman. Can you plug in, no? Got a miniplug? ChauHi Tech Modern Japanese designers should consider scenes like these. Now, 1, The Beatles, it sounds from a discman savior.
Garcia is lying on his bed. His room no longer looks like a New York subway, the walls sport a spotless white. Not so the living nor the rest of the house. In the piece, interrupted Charly homemade mixture of live album Sui Generis (later at night, The studies Pie, start the real marathon of remixes and overdubs of songs recorded in the Boca) and hangs talking about the Beatles.
"I was part of the Beatlemania-Garcia says and laughs. Listened as I could, because for me it was as impossible to have a Beatles album. Heard only what I had at home, and long drives of 78 plays, which was very little they had appeared. And the first single I bought was not a single but a double. Was "Twist and shouts," There's a Place "and two others. I went to the record store and said "Give me a Beatles record," and gave me that. Anyone who would have had given me purchased. It was like a mystery, the Antichrist. At that time had hit an extra TV grab a new channel, I think it was 2, I forget, which passed on a show that was like Yanquiland Club Clan. And then I started to see the imitators of the Beatles. But the Beatles because he had been grabbed at the top of a disc. I was fascinated. I knew guys who seemed too much of life. Geniuses. And they were very dangerous as well, with those giant faces, challenging the whole world (laughs). We got together with friends on guitar, and the repertoire was "Perfidia", Palito Ortega, some samba and "Twist and shouts" that was the one saved for last because we had its climax, people went crazy seriously. It was very rare. How could this happen? For us it was a rumor, a rebound that came from the other side. But it was amazing, because you played the songs and was the same. You put a record of Johnny Hallyday or Sinatra, and people do not pass anything. -it sounds a cliché, would you say you discover the Beatles changed my life.
And yes, because I decided it was mine. Classical music and classical music world had become very bizarre to me. Concrete saw a disconnect between what was happening inside the academy and what was happening when he left. Puritan was the extreme, very Catholic, very repressive. It was great, but when you wanted to compose something I shat a fart. So the Beatles were like another conservatory, but much more piola. And all had more to do with me. "Because the letters ..." Love Me Do "is very simple. She says "love" everyone knows what it means "love." And we said anything, sing Sanata. Then, with Bob Dylan and the Byrds, we got more specialists in the field. I remember the drummer was called "Ichino," she sang "Ichino dei nait jar" (laughs). - Your Beatlemania reached to the point of copying the "look"? "Yes, and it cost me an egg because the boots were very difficult to achieve. Once I saw some in that were like three girls numbers and I bought the same, and I suffered as a mother. But what is fashion ... I do love sounds and Garcia asked to detain the subject. - "Love Me Do" is in mono. The disc is mono. Who sings? The two, right? This is harmonica, drums, handclaps, bass, harmonica, guitar barely heard. And they are the voice of Lennon and McCartney. Now put all that in three channels ... Therefore, when mixing in stereo, the music was on one side and the other voices. And I loved that. But I wondered who sang the song because the vocals are in fifth [intervals]. That was me as a handicap: the elimination of the third. Now I'm about to make a record to be called Three. But I do not know, because I was always against the third. The third is the voice of the environment, which defines whether the chord is Major or less. And here a re sing and sun, but if you forgot, or put him on purpose to make a voice there, harmonizing. That's the hook. Did you see that you always want to sing with the Beatles? I was wrong. Put it back. SoundsSounds From me to you. Few
-line, visit ... And the voices combined ... What fucking be Paul McCartney! We passed
she loves you. Garcia plays guitar lying on his bed. Passes all the licks. Blunder is angry because the tap. In the second inning comes out perfect.
"It's softer. I seem to Rolling Stone critic ... (Laughs). Above, is the final guitar that I fucked up with laughter, it's like an insult to rock. The rock is La-Re-Mi, and put a chord like that trio Los Panchos. They discussed a week. I know because I was informed (laughs).
I want to hold in your hand, Garcia is the palms, and then touches the bridge on the guitar.
"This, as Woody Allen, is the song that divided the history of the world. When this topic came over civilization. Things over here since we do not know what it is. A great jam session ... The issue is that thing ... Native American Indian Medium rare, the melody. It handles a lot with octaves, with fifths. I liked that, because here with me samba had rotted. The samba is the third that there is more: Major, A Minor ... So this music was weird ... Did you see who said the Beatles were corrupting the youth? Because there was something in the music ... They had something like hypnotic ... Like the Pied Piper of Hamelin. The types found a formula that apparently repeated the usual training of drums, bass, guitar, but was back in harmony and rhythm, so basic and almost no element to fart, no more note. Every thing is set like classical music. As if written. It seems not, but yeah.
not like how it sounds can not buy me love. "There is something wrong with this album, I do not like. And I do not know what is." Garcia spends the changing track EQs and cable entries, going back and forth with the balance. Suddenly ... "There." We
aa hard day's night. At first guitarrazo already excited. Move your arms and head, smiling, as if to say "most." He plays the guitar, tries to make the tap, tap the whole song. First note
I feel fine.
- Pará! There. The first feedback from the history of recorded music. Check, learners ... (laughs). Let
Eight days a week.
-The French Beatles song Titans, a character in the ring. That theme was very popular here for that. It's the first song on side 2 of Beatles for Sale, and for me that's a different disk to all the Beatles. I do not know why. Seems to be made in a hurry. And had not put so many songs and many covers. Maybe that's why they achieved a sound that I liked. They tried to return to their sources, who were rock and rockabilly and Motown girl groups of Americans. And in this song, as throughout the disc, it shows a very country feeling. There is a kind of joy that can be forced to do with everything the Beatles did at first, in points, was for the public: to you, I love you, I want to go home tonight, she's going to take ... Here, however, believe that life and had shown the dark side. Well, For Sale is "I'm A Loser." Well, this song is great, I love it.
ticket to ride.
-check the pattern of the battery. Genius, Ringo. The part of the battery is incredible. Maravillícenlo, do it at home. You buy the album Symphonies for adolescents [Sui Generis], then you take the inside, explaining what maravillización system, and you do it. You put all four speakers and stuff and you put this disc. Maravillización The system is ... more or less is what did the guys who made the Beatles records, which were made mono and stereo. Now it is said to optimize. Someone said that music was not the notes but the air between the notes, or something. Well. This special issue is to enjoy it. Try. Can serve as a fan, too (laughs). Help arrives
. Charly long passes.
yesterday.
-pass. This never liked it. Sounds
Day tripper. Nothing to say.
We Can Work It Out.
"This is one of the themes that I like the Beatles. I love the lyrics. Peacekeeping is a speech or something. Integration. And I like the harmonium there.
begin the chorus of Paperback Writer.
"This is awesome. I was told that, from the harmonies of this issue, Miles Davis began to listen to the Beatles. And here we note that no more live playing, the construction of music is unplayable. How you doing? One thing is to sing "Love Me Do", which has two notes, and another to do this. Or voices can be made. And luckily there was no sampler or anything, so I had to just keep it. Did you know that the Beatles invented the [effect] chorus? It was George, which supported an unintended echo recorders. There were two tapes running simultaneously, and when George was supported, a low speed. And the ring with the other tape, there was a harmonic displacement produced by the chorus. And they said, "Oh, how cute is this" (laughs).
Past the Yellow Submarine and Eleanor Rigby. Time Penny Lane.
- The bass part is awesome ..! And that's a piccolo trumpet. For you to tell a aned. McCartney had listened to the concerts Brandenburgers [Bach] on TV, and asked George Martin such an instrument. And how similar is a [synthesizer] moog, right?!
All you need is love. Charlie jumps out of bed.
- Concept! How great! Concept! Polyrhythm. As a "mortal sin" as "Happiness is a warm gun." "Happiness ..." is the division that I used in "mortal sin." Overlap rate of three for four with a four by four: the twelve together, and when they attack then kill you. But every time it seems that time was lame. Well, here is the first time you use it. Later, progressive music is based on that. Yes had not existed or Emerson, Lake & Palmer if the Beatles had not done before.
Hello, Goodbye.
- Great psychedelic, Paul McCartney! All these discs are heavily armed, very Beach Boys. Bah, the Beach Boys were very Beatles (laughs). Each instrument is on your side. The letter says nothing.
Lady Madonna. "Here
want to sound like Fats Domino. I do not know if the piano has a lot of compression, or have tacks. From somewhere must have got this sound ... sounds like some kind of key. Who will be touched ...
Hey Jude.
"The first single in history. Seven and a half minutes. The drums are great. I do not know if it will be recorded at a speed and then passed to another. It's great. They are recorded separately, are not recorded with the battery. And there are two pianos playing the same, to produce the chorus, as did Phil Spector. It was the time when songs had a final ending, which came from friends, family, all type uses for Africa (laughs). It ended in "We Are the World" (more laughter). Get
back and the Ballad of John and Yoko.
"They do not like me much. Finally comes
Something.
"This theme is great. It has one of the best solos of rock & roll. Looks like a single letter. When I saw Frank Sinatra in Rio de Janeiro, I found it funny when he said he would do a tribute to Lennon and McCartney, and sang it (laughs).
"I left wanting more Harrison.
"To me it seemed that the share of George was good. I do not know, maybe because one is accustomed. It's hard with the other two, very difficult.
- Why did you put so much emphasis on the importance that a settlement is written?
"But music, when done well, is easy to visualize. It appears you drawing right away. What I mean is that the Beatles were the very studious note of its instrument, very neat. When raised, it seemed that was all strident, but nothing is further from the truth. They played hard, and the voices were strong, but that determination to stick the right beat on drums, for example ... So it was irresistible. Looked like a machine, Ringo. And the bass had these notes as ... such as "Penny Lane." That's a leak. The low not only touches the [note] dominant makes a drawing which, when mixed with the melody, produced this little book. I do not know. When music is made in a rigorous, but the guy who does not know music, there is a cleaning which resembles classical music, in which each note is somewhere for some reason. Next.
Come together.
"Great. The bass is a monstrous thing. Is re-thinking this. And fourth, that thing mantra. Put a major, when the subject is [key] Less ... It is unclear what ... Good tribal.
Let it be.
"There are several versions of it. Phil Spector Right? McCartney hated these choirs ... Let It Be [the album] did not work out well, you notice that they are not cornered, the kids, nothing happens. Each in his own: George was believed to Clapton, McCartney was believed Stravinsky Lennon the other, in full, Ringo, boring ...
Grand finale to the long and winding road. A Garcia also puts goosebumps.
"Very good ... A great song. It is the song Let It Be. Tremendous.
Three days later, in the studies Pie, Garcia recorded the nth line of moog on the live version of "I threw for you." Improvise. Quote old tunes. His, of Bach and Beatles. He plays a snippet of "Because."
- Did you know that Abbey Road is the first disk you used a synthesizer?
-...
-much data I gave you, eh. Can not complain.
For Fernando Sanchez and Daniel Riera
Source:
Beatleología
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